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Grateful Dead Live at Shrine Auditorium on 1967-11-11




Set 1

Turn On Your Love Light, Beat It On Down The Line, Death Don't Have No Mercy, Good Morning Little School Girl, Cryptical Envelopement-> The Other One-> Cryptical Envelopement, New Potato Caboose, Alligator-> Drums-> Alligator-> Caution (Do Not Stop on Tracks)

"Amazing ELectric Wonders" - Other artist(s): Buffalo Springfield; Blue Cheer


Collection GratefulDead
Band/Artist Grateful Dead
Venue Shrine Auditorium
Location Los Angeles, CA

Source Updated
Lineage SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe
Taped by Dan Healy
Transferred by Transfer By: Matt Smith & Bob Menke Mastering By: Derek McCabe

Notes

Notes:
- "Lovelight" fades in and has a left channel issue, fixed by using right channel as mono to stereo, then crossfaded
- "Death Don't Have No Mercy" has a left channel issue, fixed by using right channel as mono to stereo, then crossfaded
- patch source for "Caution // different cut > Feedback // cut" (reel #1 side B; 8-track 15 ips)

Reel #1 side A most likely was recorded @7.5 ips and all the rest was @15 ips.  Dan Healy once explained he was running two different decks at this time, an 8-track 15 ips. and an Ampex 7.5 ips. deck.

Reviews

Reviewer: The Ickl0w - - January 14, 2014
Subject: simple pleasures in life
It doesn't get much cleaner for such an old recording on the archive. Thanks to those who made this possible for me to enjoy.
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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